Juno ReyesGraphic and motion designer, Mexico City

WORK

  1. Poster for Perro Lunar: a pink moon with pale craters overprinted by the band name in heavy blue capitals.Sótano 33 season postersSótano 33, 2025Twelve Friday nights in a basement in Colonia Doctores, twelve two-ink posters, and one system that a bar manager can brief in a text message.Poster, Print
  2. Sonidero 79 LP cover: pink rays and concentric speaker rings on yellow, with the title in heavy blue capitals along the bottom.Archivo Temblor album coversDiscos Temblor, 2024Four reissues from a label whose original artwork was lost in 1985, with covers calculated from something in each recording.Record sleeve, Art direction
  3. Title frame: the word HORA in huge pink letters of uneven widths, crossed by blue horizontal bars.Hora Pico title sequenceCanal Anillo, 2025An eight-second looping title for a documentary series on Mexico City’s rush hour, drawn as if it had been printed 96 times.Motion, Title design
  4. Zine cover: Se Rotula in heavy blue letters with a yellow drop shade, above a yellow panel filled with rows of painted arrows.Se Rotula, a zine on hand-painted signsEditorial Banqueta, 2023A 28-page field guide to the hand-painted signs of Mexico City, in which the sign painters’ own shade becomes the second ink.Editorial, Print
  5. Festival poster on yellow: the word Granizo across the top in orange, hail dots growing downward, and the dates 12 13 14 June 2026 in dark green.Granizo music festival identityFestival Granizo, 2026An identity for a three-day festival held in the rainy season, built on a dot that grows from Friday to Sunday.Identity, Wayfinding, Poster
  6. Specimen poster: the name Tezontle in modular letters stacked over three lines, dark green with yellow pits, above a yellow band with the line A stone that floats.Tezontle typeface specimenSelf-initiated, 2024An experimental display typeface drawn from five modules on a 5 × 5 grid, with a porosity axis named after Mexico City’s volcanic stone.Typeface, Print